Laszlo Spiro
works with new ideas and new musical material, which lead from the combination of jazz and classical music in the direction of the reinte- gration of functional har- mony. In this respect he developed on the basis of his preoccupation with Olivier Messiaen as well as with Byzantine culture and parti- cularly Bulgarian music, his own harmonic system with floating chords.
Through these sounds he wishes to create composi- tions using new methods of notation. As jazz-musician he has all the requirements, through his study of classical music, to arrive at new horizons, which can be seen as a counterbalance to the tendency in musical history to mix classical music with jazz elements.
works with new ideas and new musical material, which lead from the combination of jazz and classical music in the direction of the reinte- gration of functional har- mony. In this respect he developed on the basis of his preoccupation with Olivier Messiaen as well as with Byzantine culture and parti- cularly Bulgarian music, his own harmonic system with floating chords.
Through these sounds he wishes to create composi- tions using new methods of notation. As jazz-musician he has all the requirements, through his study of classical music, to arrive at new horizons, which can be seen as a counterbalance to the tendency in musical history to mix classical music with jazz elements.
Dr. Roland Mattes
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